Interpreting the Songs of Jacques Leguerney: A Guide for Study and Performance
Jacques Leguerney, heir to the exquisite French mélodie tradition, is beautifully served in this carefully researched and practical performance guide. The Leguerney melodies are gratifying vehicles for both singers and pianists. They reflect the nature of the man himself: elegance, grace, sophistication, and an awareness of beauty in all its forms. To be in the presence of Monsieur Leguerney, no matter how briefly, was itself an aesthetic experience. This study leads the way to establishing international recognition for a composer who so richly deserves it. Richard Miller, Wheeler Professor of Performance and Director of the Vocal Arts Center, Oberlin Conservatoty. The songs of the extraordinary composer Jacques Leguerney form a magnum opus of undeniable beauty and originality. The various aspects of his musical style are discussed in depth in this book, which is a must for performers and enthusiasts of the mélodie. Unquestionably it will help achieve the recognition that Jacques Leguerney deserves as one of the twentieth century's great song composers. Dalton Baldwin, internationally acclaimed pianist Just when we thought there wasn't a major song composer left to explore, the trio of Dibbern, Kimball and Choukroun have ,written this invaluable, much-needed study of the songs of Jacques Leguerney. Nothing is left out and all is treated with precision and detail. My hat is off to these remarkable scholars and performers who have provided us with a wealth of information that is a must in every serious art-song enthusiast's library. Chapeau! Thomas Grubb, the Juilliard School, Peabody Conservatory of Music; Houston Grand Opera, New York City Opera; author of Singing in French
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Organization of the Published Songs
Le Paysage ou La Description de PortRoyaldesChamps
Poèmes de la Pléiade 4ème Recueil
accompaniment baritone beat beautiful become beginning Chanson charming chords collection color Composed continues creates cycle D'une death Dedication edition express feeling figures final Fontaine France French Gérard Souzay give harmonic important Jean la Pléiade Leguerney Leguerney's Marie marked Max Eschig Maynard measure mélodie mistake mood nature never night Nuit opening original Paris pedal performance phrase pianist piano Pierre de Ronsard played Pléiade poem Poèmes poet poetic poetry Poulenc published Publisher/Date of publication recording Recueil rhythms right hand Ronsard Saint-Amant Salabert score singer sixteenth Solitude song Sonnet soprano sound style tempo texture Unpublished vents verses vocal line Vocal range voice Voice type Voice/piano writing written wrote