Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
Ergebnisse 1-3 von 85
Seite 26
... ACTING KNOWLEDGE The contents of this book are designed not only to present acting methods , but to guide , challenge and motivate you to seek a greater awareness of life and of human experience . This task of search and enquiry ought ...
... ACTING KNOWLEDGE The contents of this book are designed not only to present acting methods , but to guide , challenge and motivate you to seek a greater awareness of life and of human experience . This task of search and enquiry ought ...
Seite 36
... acting . The English actor - manager , Sir Herbert Beerbohm Tree , is reported to have said : ' An actor should know something of everything and not too much of anything . ' It is not expected that an actor be either a genius or stu ...
... acting . The English actor - manager , Sir Herbert Beerbohm Tree , is reported to have said : ' An actor should know something of everything and not too much of anything . ' It is not expected that an actor be either a genius or stu ...
Seite 144
... ACTING BY ACTORS HARRY ANDREWS : Be eager to try out new ideas , new ways of performing on the stage and before the camera . Be a master of the technique of screen acting . Dedicate yourself to becoming a good actor rather than a star ...
... ACTING BY ACTORS HARRY ANDREWS : Be eager to try out new ideas , new ways of performing on the stage and before the camera . Be a master of the technique of screen acting . Dedicate yourself to becoming a good actor rather than a star ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer