Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
Ergebnisse 1-3 von 21
Seite 310
... attitudes and actions the character says and does must appear to be logical , justifiable and sometimes predictable . Illogical attitudes and actions , due to actor incom- petence , poor writing or both , will not receive audience ...
... attitudes and actions the character says and does must appear to be logical , justifiable and sometimes predictable . Illogical attitudes and actions , due to actor incom- petence , poor writing or both , will not receive audience ...
Seite 311
... attitude : thoughts , beliefs , feelings , needs , wants . A character's attitudes are not fixed . They are flexible and change according to how he / she sees and feels about things at a particular point in time . A character's attitudes ...
... attitude : thoughts , beliefs , feelings , needs , wants . A character's attitudes are not fixed . They are flexible and change according to how he / she sees and feels about things at a particular point in time . A character's attitudes ...
Seite 317
... ATTITUDES ACTIONS NEGATIVE ATTITUDES - FEELINGS HATE ENVY GREED PREJUDICE JEALOUSY BOREDOM DISAPPOINTMENT UNHAPPINESS FRUSTRATION ANXIETY FEAR POSITIVE ATTITUDES - FEELINGS LOVE MOTIVATE NEGATIVE ACTS OF ... HOSTILITY SELFISHNESS ...
... ATTITUDES ACTIONS NEGATIVE ATTITUDES - FEELINGS HATE ENVY GREED PREJUDICE JEALOUSY BOREDOM DISAPPOINTMENT UNHAPPINESS FRUSTRATION ANXIETY FEAR POSITIVE ATTITUDES - FEELINGS LOVE MOTIVATE NEGATIVE ACTS OF ... HOSTILITY SELFISHNESS ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer