Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
Ergebnisse 1-3 von 26
Seite 53
... believe in your ability to become a successful actor , you set in motion the creative law of mind , its response to you is automatic . Believe that I am and I will be . You must cease the practice of believing that you are unattractive ...
... believe in your ability to become a successful actor , you set in motion the creative law of mind , its response to you is automatic . Believe that I am and I will be . You must cease the practice of believing that you are unattractive ...
Seite 156
... Believe in yourself . Have faith in your mental powers if you want to become a self - assured performer . Immobilize the attention . Be quiet , still , at ease and release physical tension . This peaceful mental and physical state ...
... Believe in yourself . Have faith in your mental powers if you want to become a self - assured performer . Immobilize the attention . Be quiet , still , at ease and release physical tension . This peaceful mental and physical state ...
Seite 228
... believe relaxation is the secret to good acting . Keep the body free of energy - draining tension . Relax . It has helped me greatly . ' 40. RELAXATION EXERCISES Before attempting voice and movement exercises and prior to perfor- mance ...
... believe relaxation is the secret to good acting . Keep the body free of energy - draining tension . Relax . It has helped me greatly . ' 40. RELAXATION EXERCISES Before attempting voice and movement exercises and prior to perfor- mance ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
ability achieve acting actor needs actress agent Alan Ladd angle attention attitudes audience become body Bogart Brando breathing Brian Adams bring camera career Cary Grant casting directors character's client close-up comedy confidence conscious consonants Constantin Stanislavski create creative desire develop dialogue drama dress emotions energy expression eyes fear film gesture give goals Grundy Television he/she his/her Hollywood human Humphrey Bogart IDEAS TO REVIEW impression instrument interview John Gielgud Kirk Douglas Laurence Olivier lines listen look Marlon Brando meaning mental motion picture motivated move movement objectives pause performance personality Peter Sellers physical players playing position posture presentation producer projection pronunciation relaxed requires rhythm role scene screen actor screenplay script shot SLADE sound speak stage character Stanislavski stardom story success SUMMARY OF IDEAS talent technique television theatre things tone Torvill and Dean understanding Vincent Price vocal vowel words writer