Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
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Seite 63
... create your circumstances , events and actions as well as construct your character and personality . Use your imagination construc- tively to bring forth and eventually achieve your dreams . Trust in the law of life . Have faith in the ...
... create your circumstances , events and actions as well as construct your character and personality . Use your imagination construc- tively to bring forth and eventually achieve your dreams . Trust in the law of life . Have faith in the ...
Seite 318
... create inner images and sounds . The sights we see on the external plane can be created on the internal plane projected onto the screen of the mind . External sounds can be reconstructed and heard in the inner ear of the mind . Our ...
... create inner images and sounds . The sights we see on the external plane can be created on the internal plane projected onto the screen of the mind . External sounds can be reconstructed and heard in the inner ear of the mind . Our ...
Seite 324
... CREATE LIFE IN ART SAID RUBENSTEIN Arthur Rubenstein was one of the world's great piano virtuosos . At the age of 12 , he performed as a soloist with the Berlin Symphony Orchestra . A student of the famous Ignace Jan Paderewski for a ...
... CREATE LIFE IN ART SAID RUBENSTEIN Arthur Rubenstein was one of the world's great piano virtuosos . At the age of 12 , he performed as a soloist with the Berlin Symphony Orchestra . A student of the famous Ignace Jan Paderewski for a ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting actor needs actress agent Alan Ladd angle attention attitudes audience become body Bogart Brando breathing Brian Adams bring camera career Cary Grant casting directors character's client close-up comedy confidence conscious consonants Constantin Stanislavski create creative desire develop dialogue drama dress emotions energy expression eyes fear film gesture give goals Grundy Television he/she his/her Hollywood human Humphrey Bogart IDEAS TO REVIEW impression instrument interview John Gielgud Kirk Douglas Laurence Olivier lines listen look Marlon Brando meaning mental motion picture motivated move movement objectives pause performance personality Peter Sellers physical players playing position posture presentation producer projection pronunciation relaxed requires rhythm role scene screen actor screenplay script shot SLADE sound speak stage character Stanislavski stardom story success SUMMARY OF IDEAS talent technique television theatre things tone Torvill and Dean understanding Vincent Price vocal vowel words writer