Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
Ergebnisse 1-3 von 47
Seite 36
... drama schools in your area . Visit them and inspect their facilities . Talk to their instructors and students . Study their curricula , then make up your mind as to the school which best suits your needs . If it is possible to monitor ...
... drama schools in your area . Visit them and inspect their facilities . Talk to their instructors and students . Study their curricula , then make up your mind as to the school which best suits your needs . If it is possible to monitor ...
Seite 136
... drama back in the third century B.C. William Shakespeare , before his death in 1616 , had a great deal to say about ... drama critic . He loved drama as an art form . He had much to say about it for he believed that it encouraged freedom ...
... drama back in the third century B.C. William Shakespeare , before his death in 1616 , had a great deal to say about ... drama critic . He loved drama as an art form . He had much to say about it for he believed that it encouraged freedom ...
Seite 168
... DRAMA CRITIC CONDEMNS SPEECH LAZINESS OF ACTORS Drama critic Harry Robinson , feels that too many actors are ' speech lazy ' because they ' simply do not understand the power of sound . ' The situation has not been helped by the ' low ...
... DRAMA CRITIC CONDEMNS SPEECH LAZINESS OF ACTORS Drama critic Harry Robinson , feels that too many actors are ' speech lazy ' because they ' simply do not understand the power of sound . ' The situation has not been helped by the ' low ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer