Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
Ergebnisse 1-3 von 51
Seite 251
... Establish each character's personality . Pinpoint the theme and premise . FADE IN DAY OF THE PHOENIX 1. EXT . STREET - HIGH ANGLE A deserted , well - heeled suburban street , under heavy rain . 2. EXT . STREET - LOW ANGLE RAIN - NIGHT ...
... Establish each character's personality . Pinpoint the theme and premise . FADE IN DAY OF THE PHOENIX 1. EXT . STREET - HIGH ANGLE A deserted , well - heeled suburban street , under heavy rain . 2. EXT . STREET - LOW ANGLE RAIN - NIGHT ...
Seite 272
... established . And this helps to ' lift ' the character from the pages of fiction into the world of reality . Information required to establish an angle of vision includes : • What circumstances , conditions and events from the past 272.
... established . And this helps to ' lift ' the character from the pages of fiction into the world of reality . Information required to establish an angle of vision includes : • What circumstances , conditions and events from the past 272.
Seite 274
... establish in your mind's eye and ear the way your character speaks , moves and looks ? • After detecting your character's primary objectives , draft a list of secondary objectives and establish as to whether they are won or lost . 25 ...
... establish in your mind's eye and ear the way your character speaks , moves and looks ? • After detecting your character's primary objectives , draft a list of secondary objectives and establish as to whether they are won or lost . 25 ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer