Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
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Seite 212
... gesture only when it is essential to do so . If a move has to be made on another player's lines , move unobtrusively , unless the move requires the attention of the audience . Otherwise , don't upstage yourself or your fellow player ...
... gesture only when it is essential to do so . If a move has to be made on another player's lines , move unobtrusively , unless the move requires the attention of the audience . Otherwise , don't upstage yourself or your fellow player ...
Seite 224
... GESTURE Gestures can be used to intensify a feeling or an action as well as to reveal a specific state of mind . A person displaying anger may clench the fists or wave the arms about in a menacing way . A person displaying affection is ...
... GESTURE Gestures can be used to intensify a feeling or an action as well as to reveal a specific state of mind . A person displaying anger may clench the fists or wave the arms about in a menacing way . A person displaying affection is ...
Seite 360
... gesture is a lesson in camera acting . ― In checking some of his earlier - made films such as The Blue Dahlia ( 1946 ) , The Great Gatsby ( 1949 ) , Shane ( 1953 ) , Ladd delivered his lines quietly , conversationally and realistically ...
... gesture is a lesson in camera acting . ― In checking some of his earlier - made films such as The Blue Dahlia ( 1946 ) , The Great Gatsby ( 1949 ) , Shane ( 1953 ) , Ladd delivered his lines quietly , conversationally and realistically ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer