Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
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Seite 52
... MIND WORKS There is one mind . But it functions through the conscious level ( the thinker ) and the subconscious level ( memory ) . Whatever ideas your conscious mind habitually dwells on , your subconscious brings to pass . Every ...
... MIND WORKS There is one mind . But it functions through the conscious level ( the thinker ) and the subconscious level ( memory ) . Whatever ideas your conscious mind habitually dwells on , your subconscious brings to pass . Every ...
Seite 153
... mind , the voice and the body and keep them tuned to perfection , was the advice offered by Greek philosophers and teachers . 3. THE MIND OF THE ACTOR : THE INSTRUMENT PART 1 The voice and the body are under the direct influence of the mind ...
... mind , the voice and the body and keep them tuned to perfection , was the advice offered by Greek philosophers and teachers . 3. THE MIND OF THE ACTOR : THE INSTRUMENT PART 1 The voice and the body are under the direct influence of the mind ...
Seite 154
... MIND The conscious mind is the analytical , decision - making mind . The interaction of the conscious and subconscious requires a similar interaction between the corresponding system of nerves . The cerebrospinal system is the organ of ...
... MIND The conscious mind is the analytical , decision - making mind . The interaction of the conscious and subconscious requires a similar interaction between the corresponding system of nerves . The cerebrospinal system is the organ of ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer