Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
Ergebnisse 1-3 von 38
Seite 212
... move and gesture only when it is essential to do so . If a move has to be made on another player's lines , move unobtrusively , unless the move requires the attention of the audience . Otherwise , don't upstage yourself or your fellow ...
... move and gesture only when it is essential to do so . If a move has to be made on another player's lines , move unobtrusively , unless the move requires the attention of the audience . Otherwise , don't upstage yourself or your fellow ...
Seite 226
... move- ment won't bring a ' dead ' play to life on its own . Stage actions need justification . They must be motivated by a purpose consistent with characters and plot . And they must appear in appropriate sequence . In dramatic work on ...
... move- ment won't bring a ' dead ' play to life on its own . Stage actions need justification . They must be motivated by a purpose consistent with characters and plot . And they must appear in appropriate sequence . In dramatic work on ...
Seite 356
... Move slowly . Keep hands away from the face to avoid masking it . Move with ease and naturalness . Give the cameraman time to follow your move to avoid frame imbalance or disappearing too quickly from frame when making an exit . 14 ...
... Move slowly . Keep hands away from the face to avoid masking it . Move with ease and naturalness . Give the cameraman time to follow your move to avoid frame imbalance or disappearing too quickly from frame when making an exit . 14 ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer