Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - 377 Seiten |
Im Buch
Ergebnisse 1-3 von 18
Seite 356
... recorded simultaneously onto magnetic videotape and the director virtually edits the program during recording , cutting from one camera to another without a break in the performance . In motion picture production , the image is captured ...
... recorded simultaneously onto magnetic videotape and the director virtually edits the program during recording , cutting from one camera to another without a break in the performance . In motion picture production , the image is captured ...
Seite 361
... recorded in this manner without the camera are called wild tracks . Wind , traffic noise and other unwanted sound problems can play havoc with recording while shooting on location . Where this occurs , actors are called at a later date ...
... recorded in this manner without the camera are called wild tracks . Wind , traffic noise and other unwanted sound problems can play havoc with recording while shooting on location . Where this occurs , actors are called at a later date ...
Seite 376
... recording session wherein actors match dialogue to screen characters ' speech . LOCALE : area where scene is to be ... recorded by cameras . NEGATIVE : film stock . Receives exposure through camera . Images are T reversed when developed ...
... recording session wherein actors match dialogue to screen characters ' speech . LOCALE : area where scene is to be ... recorded by cameras . NEGATIVE : film stock . Receives exposure through camera . Images are T reversed when developed ...
Inhalt
Abschnitt 1 | 4 |
Abschnitt 2 | 6 |
Abschnitt 3 | 11 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer