Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish Poetry

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Bucknell University Press, 1997 - 257 Seiten
This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art.

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Inhalt

Acknowledgments
11
How Manuel Machado Did Not Get the Picture
33
Picasso
53
Urheberrecht

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