Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 82
... ( Ibid . ) , a series of drawings that meditates upon the " connection between love , sexuality , art , and vision " ( Ibid . , 133 ) . She comments that " Sometimes there is a perfect circuit of communication among sculptor , model , and ...
... ( Ibid . ) , a series of drawings that meditates upon the " connection between love , sexuality , art , and vision " ( Ibid . , 133 ) . She comments that " Sometimes there is a perfect circuit of communication among sculptor , model , and ...
Seite 142
... ( Ibid . , 2.7-14 , 169 ) ( I have freed you from an early death [ Forgive me once again ] / among the naive elite of [ the ] toydom . / I have freed you because of sorrow , / perhaps because of terror , / perhaps because of believing [ I ...
... ( Ibid . , 2.7-14 , 169 ) ( I have freed you from an early death [ Forgive me once again ] / among the naive elite of [ the ] toydom . / I have freed you because of sorrow , / perhaps because of terror , / perhaps because of believing [ I ...
Seite 181
... ( Ibid . , 28 ) . It is fasci- nating to note that his definition of photography reflects an open- ended process , in that he utilizes the verb " to become " rather than " to be " : " The Photograph then becomes a bizarre medium , a new ...
... ( Ibid . , 28 ) . It is fasci- nating to note that his definition of photography reflects an open- ended process , in that he utilizes the verb " to become " rather than " to be " : " The Photograph then becomes a bizarre medium , a new ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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