Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 103
... Martín Gaite text makes use of the same " vosotros " ( " you " [ fam . pl . ] ) command to draw the explicitly named multiple readers into the text : " Buscadla por Manhattan , entre las escombreras de chatarra , / los coches de ...
... Martín Gaite text makes use of the same " vosotros " ( " you " [ fam . pl . ] ) command to draw the explicitly named multiple readers into the text : " Buscadla por Manhattan , entre las escombreras de chatarra , / los coches de ...
Seite 110
... Martín Gaite very evidently is playing with the problem of artistic representation and the boundaries that are crossed , recrossed , and double - crossed in her text ( s ) . Where does one text begin and the other end ? Where does one ...
... Martín Gaite very evidently is playing with the problem of artistic representation and the boundaries that are crossed , recrossed , and double - crossed in her text ( s ) . Where does one text begin and the other end ? Where does one ...
Seite 111
... Martín Gaite has provided . And the silence of Martín Gaite's text in regard to this telling detail perhaps in and of itself is a paradoxical metatextual reference , a pointer to the text's signs of presence and absence as well as ...
... Martín Gaite has provided . And the silence of Martín Gaite's text in regard to this telling detail perhaps in and of itself is a paradoxical metatextual reference , a pointer to the text's signs of presence and absence as well as ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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