Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 55
... Picasso " within his texts . Picasso's sign is the Other who can never be fully possessed but who defines , frames , reflects , and refracts the Self , and the Self's process of signification . Al- berti both succeeds in and fails to ...
... Picasso " within his texts . Picasso's sign is the Other who can never be fully possessed but who defines , frames , reflects , and refracts the Self , and the Self's process of signification . Al- berti both succeeds in and fails to ...
Seite 56
... Picasso " ( " Visits to Picasso " ) , which he explains are " recuerdos para La arboleda perdida ( 1968-1972 ) " " memoirs for The Lost Grove ( 1968-72 ) , " Alberti's own previously published autobiography . ' The revealing vignettes ...
... Picasso " ( " Visits to Picasso " ) , which he explains are " recuerdos para La arboleda perdida ( 1968-1972 ) " " memoirs for The Lost Grove ( 1968-72 ) , " Alberti's own previously published autobiography . ' The revealing vignettes ...
Seite 59
... Picasso . In Alberti's account of his affiliation ( affiliare , " to adopt as a son " [ Who has adopted whom ??? ] ) with Picasso , the poet brings to the forefront and utilizes a media mix of visual and verbal strategies , and in this ...
... Picasso . In Alberti's account of his affiliation ( affiliare , " to adopt as a son " [ Who has adopted whom ??? ] ) with Picasso , the poet brings to the forefront and utilizes a media mix of visual and verbal strategies , and in this ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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