Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 55
... beginning with Giotto , and con- tinuing with such renowned artists as Leonardo da Vinci , Mi- chelangelo , Titian , Velázquez , Goya , and Renoir . The speaker utilizes a purely chronological order to present all the painters ; this ...
... beginning with Giotto , and con- tinuing with such renowned artists as Leonardo da Vinci , Mi- chelangelo , Titian , Velázquez , Goya , and Renoir . The speaker utilizes a purely chronological order to present all the painters ; this ...
Seite 136
... beginning , / never a good - bye . I await , cruel [ feline ] paw of hope , one day / your bloody baptism . ) The last few lines of verse plaintively echo the previously noted " centro " ( " center " ) as " vacío " ( " void " ) , in ...
... beginning , / never a good - bye . I await , cruel [ feline ] paw of hope , one day / your bloody baptism . ) The last few lines of verse plaintively echo the previously noted " centro " ( " center " ) as " vacío " ( " void " ) , in ...
Seite 179
... beginning with pho- tography , in order to contemplate its uses and functions . The relationship of photography to other forms of pictorial and repre- sentational art reveals that while the former's codes of visual composition were ...
... beginning with pho- tography , in order to contemplate its uses and functions . The relationship of photography to other forms of pictorial and repre- sentational art reveals that while the former's codes of visual composition were ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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