Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 93
... body reached their peak , in time of carnival , mankind was healed with a laugh- ter that was lost , when , in later centuries , the body , and espe- cially the lower body , came to be viewed as entirely negative and shameful " ( Booth ...
... body reached their peak , in time of carnival , mankind was healed with a laugh- ter that was lost , when , in later centuries , the body , and espe- cially the lower body , came to be viewed as entirely negative and shameful " ( Booth ...
Seite 157
... body of her text and of the text of her body.13 Just like the fabled Lady Godiva , the speaker goes home after her adventure in and with the world , to parcel out according to her ability the stuff of life - love , bread , and fruit ...
... body of her text and of the text of her body.13 Just like the fabled Lady Godiva , the speaker goes home after her adventure in and with the world , to parcel out according to her ability the stuff of life - love , bread , and fruit ...
Seite 172
... body , " since the graphemic and graphic elements of her written / drawn text is inscribed upon the visual reproduction of the male body glorified in the ad cam- paign.32 As Mary Makris comments , " In this graphic text which leaves ...
... body , " since the graphemic and graphic elements of her written / drawn text is inscribed upon the visual reproduction of the male body glorified in the ad cam- paign.32 As Mary Makris comments , " In this graphic text which leaves ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing