Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 25
... bring explicitly to the surface the basic Otherness of representation , an unwanted presence that forces the viewer to acknowledge the mutability of the sign . This idea of liminality brings us in a necessary and irremediable fashion ...
... bring explicitly to the surface the basic Otherness of representation , an unwanted presence that forces the viewer to acknowledge the mutability of the sign . This idea of liminality brings us in a necessary and irremediable fashion ...
Seite 112
... brings to the fore- front the setting of limits and the place of discordant voice ( s ) in relation to those ... bring to the forefront various issues of primary concern to author and reader alike . By means of ekphrasis , the ...
... brings to the fore- front the setting of limits and the place of discordant voice ( s ) in relation to those ... bring to the forefront various issues of primary concern to author and reader alike . By means of ekphrasis , the ...
Seite 164
... brings to the forefront the concepts of framing , woman as object , and the codes and conventions of power , conduct ... bringing herself to life , clothing herself and thus denying voyeur- istic , impersonal pleasure to those who wish ...
... brings to the forefront the concepts of framing , woman as object , and the codes and conventions of power , conduct ... bringing herself to life , clothing herself and thus denying voyeur- istic , impersonal pleasure to those who wish ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing