Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
Im Buch
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Seite 65
... collection is a case in point . Alberti signals the number eight as that which identifies the names of Picasso . In the first poem of the collection the speaker begins with the query " ¿ Qué hubiera sido de ti , Pablo , si de entre los ...
... collection is a case in point . Alberti signals the number eight as that which identifies the names of Picasso . In the first poem of the collection the speaker begins with the query " ¿ Qué hubiera sido de ti , Pablo , si de entre los ...
Seite 187
... collection having been organized and written as one long poem ; and its " historia íntima ” ( “ intimate [ personal ] story " ) pays homage to the novelis- tic likes of Madame Bovary , La Regenta ( The Regent [ fem . ] ) , or Fortunata ...
... collection having been organized and written as one long poem ; and its " historia íntima ” ( “ intimate [ personal ] story " ) pays homage to the novelis- tic likes of Madame Bovary , La Regenta ( The Regent [ fem . ] ) , or Fortunata ...
Seite 197
... collection of poetry is a text entitled “ Interludi / Interludio ” ( “ Interlude ” ) from the collection Los es- pejos / Els miralls . The speaker offers an enigmatic message of ekphrastic inclination to the reader , where the allusion ...
... collection of poetry is a text entitled “ Interludi / Interludio ” ( “ Interlude ” ) from the collection Los es- pejos / Els miralls . The speaker offers an enigmatic message of ekphrastic inclination to the reader , where the allusion ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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