Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 14
... considered to be a con- trived connection between literature and the plastic arts . In his Laokoön : An Essay on the Limits of Painting and Poetry ( 1766 ) , he repudiated the possibility of comparing visual and verbal art , since the ...
... considered to be a con- trived connection between literature and the plastic arts . In his Laokoön : An Essay on the Limits of Painting and Poetry ( 1766 ) , he repudiated the possibility of comparing visual and verbal art , since the ...
Seite 136
... and that of framing in a slightly different fashion . In contrast with the previously considered texts , he uses a totally different tone , and very playfully underscores the problematic relation- ship 136 GETTING THE PICTURE.
... and that of framing in a slightly different fashion . In contrast with the previously considered texts , he uses a totally different tone , and very playfully underscores the problematic relation- ship 136 GETTING THE PICTURE.
Seite 185
... considered to be the optimal , that of the nineteenth - century novel ( Gimferrer 1985 , 7 ) . According to Gimferrer , " A partir de Griffith , el cine se convierte en un lenguaje narrativo estructurado según los módulos de la narrat ...
... considered to be the optimal , that of the nineteenth - century novel ( Gimferrer 1985 , 7 ) . According to Gimferrer , " A partir de Griffith , el cine se convierte en un lenguaje narrativo estructurado según los módulos de la narrat ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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