Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 46
... conventions . Fra Angelico does not appear in his own painting , but is placed within the frame of Machado's representa- tion of his work . Symbolically , the painter takes on the role first of God the Creator , and then of Adam and Eve ...
... conventions . Fra Angelico does not appear in his own painting , but is placed within the frame of Machado's representa- tion of his work . Symbolically , the painter takes on the role first of God the Creator , and then of Adam and Eve ...
Seite 92
... conventions , that which is foregrounded is not only the work of art in and of itself , but also the canon , its limits , and the role of women , either closed in as object , or closed out as a freely speaking subject . This absent yet ...
... conventions , that which is foregrounded is not only the work of art in and of itself , but also the canon , its limits , and the role of women , either closed in as object , or closed out as a freely speaking subject . This absent yet ...
Seite 95
... conventions . Thus , Fuertes's image , the so - called traditional one , or the mass produced representation of the Vir- gin - in oil , words , or plastic - is worthy ( or not worthy ) of being considered good , valuable , and valid ...
... conventions . Thus , Fuertes's image , the so - called traditional one , or the mass produced representation of the Vir- gin - in oil , words , or plastic - is worthy ( or not worthy ) of being considered good , valuable , and valid ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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