Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 46
... creation , one made in his / their own image . In presenting the painter producing his version of reality , the poet implicitly encourages the reader to continue with the analogy . Just as Adam and Eve created the possibility of ...
... creation , one made in his / their own image . In presenting the painter producing his version of reality , the poet implicitly encourages the reader to continue with the analogy . Just as Adam and Eve created the possibility of ...
Seite 137
... created , peppering this self - portrait with self - deprecating humor in the act of creating it : Digo a mi perro : Je suis un poète . J'ai quarante ans et je sui content . Mi perro me contempla con la fijeza de la incomprensión . Hay ...
... created , peppering this self - portrait with self - deprecating humor in the act of creating it : Digo a mi perro : Je suis un poète . J'ai quarante ans et je sui content . Mi perro me contempla con la fijeza de la incomprensión . Hay ...
Seite 144
... creation . If at the text's beginning , Pancho as created object plays out a submissive role under his creator's watchful eye and hand , mimicking the traditional ( im ) balance between the Judeo- Christian God and the created world ...
... creation . If at the text's beginning , Pancho as created object plays out a submissive role under his creator's watchful eye and hand , mimicking the traditional ( im ) balance between the Judeo- Christian God and the created world ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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