Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 14
... critics have noted the presence , through its evocation , of visual art in the verbal context , beginning with the earliest examples hearkening from antiquity , and including the oft - cited example of Homer's description of Achilles ...
... critics have noted the presence , through its evocation , of visual art in the verbal context , beginning with the earliest examples hearkening from antiquity , and including the oft - cited example of Homer's description of Achilles ...
Seite 24
... critic W. J. T. Mitchell proposes that the tradition of the male gaze finds a female permutation " in the frequent occurrence of the heroine or female narrator as painter or keen - sighted viewer , a " seeing " as opposed to a ...
... critic W. J. T. Mitchell proposes that the tradition of the male gaze finds a female permutation " in the frequent occurrence of the heroine or female narrator as painter or keen - sighted viewer , a " seeing " as opposed to a ...
Seite 147
... critic Dale M. Bauer applies the Bakhtinian con- cepts of heteroglossia and dialogism to the problem of female writing practices in order to dismantle the tradition of the male gaze : she proposes that " the feminist voice ( rather than ...
... critic Dale M. Bauer applies the Bakhtinian con- cepts of heteroglossia and dialogism to the problem of female writing practices in order to dismantle the tradition of the male gaze : she proposes that " the feminist voice ( rather than ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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