Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
Im Buch
Ergebnisse 1-3 von 57
Seite 15
... ekphrasis that he mentions are T. S. Eliot's wheel and Chinese jar . For Krieger , the ultimate irony in ekphrastic ... Ekphrasis : The Illusion of the Natural Sign the author presents a diachronic overview of the " still movement " of ...
... ekphrasis that he mentions are T. S. Eliot's wheel and Chinese jar . For Krieger , the ultimate irony in ekphrastic ... Ekphrasis : The Illusion of the Natural Sign the author presents a diachronic overview of the " still movement " of ...
Seite 16
... ekphrasis in purely rhetorical terms had referred solely to description , in its most general usage . Ber- gmann further comments that ekphrasis originally had served as what she terms a solely " descriptive digression , " and that ...
... ekphrasis in purely rhetorical terms had referred solely to description , in its most general usage . Ber- gmann further comments that ekphrasis originally had served as what she terms a solely " descriptive digression , " and that ...
Seite 30
... ekphrasis as a discursive strategy becomes a prime metaphor of the Word's enigmatic and transparent Oth- erness ... ekphrasis comes to represent art's questioning stance faced with Otherness . How is it that art never , ever achieves ...
... ekphrasis as a discursive strategy becomes a prime metaphor of the Word's enigmatic and transparent Oth- erness ... ekphrasis comes to represent art's questioning stance faced with Otherness . How is it that art never , ever achieves ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing