Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 51
... example is to be found in Canciones y dedicatorias ( Songs and Dedications ) ( 1915 ) , where the poet uses as a pretext ( and " pre - text " ) the works of other writers to produce his own text . For example in the poem " A Rubén Darío ...
... example is to be found in Canciones y dedicatorias ( Songs and Dedications ) ( 1915 ) , where the poet uses as a pretext ( and " pre - text " ) the works of other writers to produce his own text . For example in the poem " A Rubén Darío ...
Seite 85
... example of Velázquez's Las Meninas is an excellent visual example of this type of painting . ) These poems tacitly acknowledge the concept of the frame while at the same time they encourage the reader to both acknowledge and subvert the ...
... example of Velázquez's Las Meninas is an excellent visual example of this type of painting . ) These poems tacitly acknowledge the concept of the frame while at the same time they encourage the reader to both acknowledge and subvert the ...
Seite 183
... example . The reassuring indeter- minacy of Manuel Machado's " Felipe IV " from chapter 2 now seems familiar and even comforting , in light of the defocalization engendered by examples of ekphrasis based upon the filmic me- dia . The ...
... example . The reassuring indeter- minacy of Manuel Machado's " Felipe IV " from chapter 2 now seems familiar and even comforting , in light of the defocalization engendered by examples of ekphrasis based upon the filmic me- dia . The ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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