Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 16
... expression of that com- parison : to relate occasions stress . Secondly , as in metric stress , it is an accent placed on certain details in particular , sometimes in a recurring pattern . Lastly , there is the stress of 16 GETTING THE ...
... expression of that com- parison : to relate occasions stress . Secondly , as in metric stress , it is an accent placed on certain details in particular , sometimes in a recurring pattern . Lastly , there is the stress of 16 GETTING THE ...
Seite 53
... expression.1 But as many critics , as well as Alberti himself , have noted , this generation of '27 poet's work demonstrates a decided propensity toward the visual , whether it be his metaphors of vision , light , and color , his ...
... expression.1 But as many critics , as well as Alberti himself , have noted , this generation of '27 poet's work demonstrates a decided propensity toward the visual , whether it be his metaphors of vision , light , and color , his ...
Seite 132
... expression may refer to the face of the Self looking at the Other , or that of the Other looking at the Self . In either case , the Self reflects an Other ( or the Other reflects a Self ) who is eternally present , yet eternally absent ...
... expression may refer to the face of the Self looking at the Other , or that of the Other looking at the Self . In either case , the Self reflects an Other ( or the Other reflects a Self ) who is eternally present , yet eternally absent ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing