Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
Im Buch
Ergebnisse 1-3 von 39
Seite 18
... fashion the writer's / reader's experience that Robert Scholes refers to as the " surren- der of sovereignty , " where there are exchanges of " power and pleasure " ( Scholes 1989 , 108-9 ) . Furthermore , I will include in this broadly ...
... fashion the writer's / reader's experience that Robert Scholes refers to as the " surren- der of sovereignty , " where there are exchanges of " power and pleasure " ( Scholes 1989 , 108-9 ) . Furthermore , I will include in this broadly ...
Seite 70
... fashion jarring and disparate visual images by way of the semantic content of the words them- selves , the speaker in addition forces the reader to be aware of not only their phonological impact , but also in a broader sense , their ...
... fashion jarring and disparate visual images by way of the semantic content of the words them- selves , the speaker in addition forces the reader to be aware of not only their phonological impact , but also in a broader sense , their ...
Seite 79
... fashion so as to suggest the skeletal remains of a bovine head ; yet they also refer in a novel way to one facet of Picasso's cultural heritage , the Spanish bullfight , and the lasting trophy via the art of the taxidermist of a ...
... fashion so as to suggest the skeletal remains of a bovine head ; yet they also refer in a novel way to one facet of Picasso's cultural heritage , the Spanish bullfight , and the lasting trophy via the art of the taxidermist of a ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing