Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 27
... frame's implicit message " This is art ' . The frame focuses our at- tention not upon content alone , but upon the organization of content and the relationship between content and its surround- ings " ( Stewart 1978 , 21 ) . But what of ...
... frame's implicit message " This is art ' . The frame focuses our at- tention not upon content alone , but upon the organization of content and the relationship between content and its surround- ings " ( Stewart 1978 , 21 ) . But what of ...
Seite 46
... frame of Machado's representa- tion of his work . Symbolically , the painter takes on the role first of God the Creator , and then of Adam and Eve , by serving as a catalyst for later events , by giving birth to a new creation , one ...
... frame of Machado's representa- tion of his work . Symbolically , the painter takes on the role first of God the Creator , and then of Adam and Eve , by serving as a catalyst for later events , by giving birth to a new creation , one ...
Seite 118
... frame of reference , " but problematizes this very frame , since Espronceda and his poetic work are both inside and outside the frame ; they are both present and absent , framing and framed by the text ( s ) evoked by the poetic speaker ...
... frame of reference , " but problematizes this very frame , since Espronceda and his poetic work are both inside and outside the frame ; they are both present and absent , framing and framed by the text ( s ) evoked by the poetic speaker ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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