Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 32
... gaze , the implicit I / eye of the artistic text whether visual or verbal . In chapter 5 , the poetry of Jaime Gil de Biedma and José Angel Valente focalizes the concept of framing , and how the gaze of the poetic I / eye views not only ...
... gaze , the implicit I / eye of the artistic text whether visual or verbal . In chapter 5 , the poetry of Jaime Gil de Biedma and José Angel Valente focalizes the concept of framing , and how the gaze of the poetic I / eye views not only ...
Seite 99
... gaze " ( Bauer , xiii ) , where the gaze is generically masculine . But in the two poetic texts by Martín Gaite , the speaker success- fully subverts the stereotypical image of woman's silence as a negative , in order to imbue that ...
... gaze " ( Bauer , xiii ) , where the gaze is generically masculine . But in the two poetic texts by Martín Gaite , the speaker success- fully subverts the stereotypical image of woman's silence as a negative , in order to imbue that ...
Seite 147
... gaze is ever - present even in its absence , and is inscribed in the decisions of the female writer in regard to the ... gaze : she proposes that " the feminist voice ( rather than the male gaze ) can construct and dismantle the ...
... gaze is ever - present even in its absence , and is inscribed in the decisions of the female writer in regard to the ... gaze : she proposes that " the feminist voice ( rather than the male gaze ) can construct and dismantle the ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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