Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 35
... God keep him , / always dressed in black down to his feet . // His complex- ion is pale as the afternoon , the gold of his wavy hair tired , and cowardly the azure tint of his eyes . // Upon his august and generous chest / neither ...
... God keep him , / always dressed in black down to his feet . // His complex- ion is pale as the afternoon , the gold of his wavy hair tired , and cowardly the azure tint of his eyes . // Upon his august and generous chest / neither ...
Seite 46
... God the Creator , and then of Adam and Eve , by serving as a catalyst for later events , by giving birth to a new creation , one made in his / their own image . In presenting the painter producing his version of reality , the poet ...
... God the Creator , and then of Adam and Eve , by serving as a catalyst for later events , by giving birth to a new creation , one made in his / their own image . In presenting the painter producing his version of reality , the poet ...
Seite 144
... God.23 The portrait of Pancho may now be viewed as a meditation on the concepts of power ( lessness ) and ( lack of ) status that obtain between creator and created , from a verbal as well as existential perspective . The " otro niño ...
... God.23 The portrait of Pancho may now be viewed as a meditation on the concepts of power ( lessness ) and ( lack of ) status that obtain between creator and created , from a verbal as well as existential perspective . The " otro niño ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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