Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 134
... heart could well beat , / but I am not talking about the heart , and the word could well sing , / but I am not talking about the word " ) ( Ibid . , 2.17–20 , 159–60 ) . He once again returns to the visual metaphor to emphasize the lack ...
... heart could well beat , / but I am not talking about the heart , and the word could well sing , / but I am not talking about the word " ) ( Ibid . , 2.17–20 , 159–60 ) . He once again returns to the visual metaphor to emphasize the lack ...
Seite 191
... heart , car- / nation in the lapel of [ the ] tuxedo , / dead under the wail of the insatiable night , the lotuses in the mist , the sea urchin at the back of a wardrobe , the wind that traverses the halls and does not tire of ...
... heart , car- / nation in the lapel of [ the ] tuxedo , / dead under the wail of the insatiable night , the lotuses in the mist , the sea urchin at the back of a wardrobe , the wind that traverses the halls and does not tire of ...
Seite 213
... heart that does not know how to beat " ) . But the bronze sculpture , immortalized in this poetic text , also concedes immortality to the very mortals who have created the immortal piece ( s ) of art ; the sculptor , and the poet ( s ) ...
... heart that does not know how to beat " ) . But the bronze sculpture , immortalized in this poetic text , also concedes immortality to the very mortals who have created the immortal piece ( s ) of art ; the sculptor , and the poet ( s ) ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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