Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 35
... King Felipe IV himself , or something else ? And how is the reader to interpret such ambigu- ous expressions as " Nadie más cortesano ni pulido / que nuestro rey Felipe " ( " No one more courtly or polished / than our King Phillip ...
... King Felipe IV himself , or something else ? And how is the reader to interpret such ambigu- ous expressions as " Nadie más cortesano ni pulido / que nuestro rey Felipe " ( " No one more courtly or polished / than our King Phillip ...
Seite 36
... king's golden hair is " cansado " ( " tired " ) , and the blue tone of his eyes is " cobarde " ( " cowardly " ) . Similarly , in the final tercet the speaker utilizes the expression " desmayo galán " ( " gallant dismay " ) to suggest a ...
... king's golden hair is " cansado " ( " tired " ) , and the blue tone of his eyes is " cobarde " ( " cowardly " ) . Similarly , in the final tercet the speaker utilizes the expression " desmayo galán " ( " gallant dismay " ) to suggest a ...
Seite 40
... king , the image of the hand and glove also posits another facet of Ma- chado's uncanny meditation on the problematic nature of repre- sentation . The hand , especially the right one and a royal one at that , suggests power and control ...
... king , the image of the hand and glove also posits another facet of Ma- chado's uncanny meditation on the problematic nature of repre- sentation . The hand , especially the right one and a royal one at that , suggests power and control ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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