Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 26
... Novel , " The Dialogic Imagina- tion Bakhtin rejects the poetic genre because of what he views as its stultified petrification and the univocality of its structures , I believe that the poetry of the twentieth century , with its use of ...
... Novel , " The Dialogic Imagina- tion Bakhtin rejects the poetic genre because of what he views as its stultified petrification and the univocality of its structures , I believe that the poetry of the twentieth century , with its use of ...
Seite 186
... novel's narrative style : contemplation of characters ' behavior , the physical presence of objects and acceso- ries and the actors ' conduct in relation to them , the lack of dis- cussion about what happens , filmic ambiguity ...
... novel's narrative style : contemplation of characters ' behavior , the physical presence of objects and acceso- ries and the actors ' conduct in relation to them , the lack of dis- cussion about what happens , filmic ambiguity ...
Seite 187
... novel.18 This type of novel's narrativity makes itself manifest in the collection having been organized and written as one long poem ; and its " historia íntima ” ( “ intimate [ personal ] story " ) pays homage to the novelis- tic likes ...
... novel.18 This type of novel's narrativity makes itself manifest in the collection having been organized and written as one long poem ; and its " historia íntima ” ( “ intimate [ personal ] story " ) pays homage to the novelis- tic likes ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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