Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
Im Buch
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Seite 140
... offers a portrait of the dynamics and ongoing process of representation and reception , of the changing yet constant duality of inside / outside , of fixed yet broken borders , the reality of illusion , and the " point of dan- ger ...
... offers a portrait of the dynamics and ongoing process of representation and reception , of the changing yet constant duality of inside / outside , of fixed yet broken borders , the reality of illusion , and the " point of dan- ger ...
Seite 166
... offers to her readers ultimately may be read as a portrait of the poet herself as artist , who through her texts gives vision and voice to her own struggles with the subject / object dialectic , creativity , originality , submission to ...
... offers to her readers ultimately may be read as a portrait of the poet herself as artist , who through her texts gives vision and voice to her own struggles with the subject / object dialectic , creativity , originality , submission to ...
Seite 220
... offers an extensive catalog of those poems that he believes do not coincide precisely with the representation offered by the visual artist , in addition to information concerning the polemic ( s ) surrounding each poetic text . See also ...
... offers an extensive catalog of those poems that he believes do not coincide precisely with the representation offered by the visual artist , in addition to information concerning the polemic ( s ) surrounding each poetic text . See also ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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