Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 38
... painter ; the meaning and the state of art at all times ; the evocation of the spirit of art of the times ; the sensation produced in us " ) ( Carballo Picazo , 108 ) . This citation is especially significant because in it the poet does ...
... painter ; the meaning and the state of art at all times ; the evocation of the spirit of art of the times ; the sensation produced in us " ) ( Carballo Picazo , 108 ) . This citation is especially significant because in it the poet does ...
Seite 67
... painter as much a poet as a painter . / Verily it is one thing and not two , since it is not possible for him to be a poet only in terms of divesting yourself of this in order to put on that . ) In his analysis of Alberti's poem " Un ...
... painter as much a poet as a painter . / Verily it is one thing and not two , since it is not possible for him to be a poet only in terms of divesting yourself of this in order to put on that . ) In his analysis of Alberti's poem " Un ...
Seite 83
... painter and poet , as well as conjure up a picture of what the painter and the poet are like as people . Thus , Self and Other simultaneously become one , frame one another , yet separate under our gaze as readers of the various texts ...
... painter and poet , as well as conjure up a picture of what the painter and the poet are like as people . Thus , Self and Other simultaneously become one , frame one another , yet separate under our gaze as readers of the various texts ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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