Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 44
... painting described in the poem as well as the other whose treatment is lacking on the surface level of the text . But once again , the absence that the poet signals fails as icon even as it succeeds as symbol , fails on the mimetic ...
... painting described in the poem as well as the other whose treatment is lacking on the surface level of the text . But once again , the absence that the poet signals fails as icon even as it succeeds as symbol , fails on the mimetic ...
Seite 45
... painting and Apollo being in mythology the father of all arts , it seemed to me that the title suited perfectly the nature of my production . Thus , my book is named Apolo " ) ( Carballo Picazo , 101 ) . Under the aegis of Apollo , the ...
... painting and Apollo being in mythology the father of all arts , it seemed to me that the title suited perfectly the nature of my production . Thus , my book is named Apolo " ) ( Carballo Picazo , 101 ) . Under the aegis of Apollo , the ...
Seite 46
... painter in the act of painting Mary's encounter with the angel , a version that is once again " inaccurate , " at odds with Fra Angelico's creation in tempera . But from a different perspective , Machado does indeed remain true to the ...
... painter in the act of painting Mary's encounter with the angel , a version that is once again " inaccurate , " at odds with Fra Angelico's creation in tempera . But from a different perspective , Machado does indeed remain true to the ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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