Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 36
... portrait poems ( Siebenmann 1973 , 96-97 ) . The reader is sure to notice that the poetic speaker's choice of detail ... portrait poem is disquieting for yet another reason . Strangely enough , it does not coincide with any one known ...
... portrait poems ( Siebenmann 1973 , 96-97 ) . The reader is sure to notice that the poetic speaker's choice of detail ... portrait poem is disquieting for yet another reason . Strangely enough , it does not coincide with any one known ...
Seite 51
... Portrait " ) and " Yo , poeta decadente ” ( “ I , Decadent Poet " ) from ( El mal poema [ The Bad Poem ] , 1909 ) to see the common denominator that appears in different guises throughout his entire career . Another clear example is to ...
... Portrait " ) and " Yo , poeta decadente ” ( “ I , Decadent Poet " ) from ( El mal poema [ The Bad Poem ] , 1909 ) to see the common denominator that appears in different guises throughout his entire career . Another clear example is to ...
Seite 158
... portrait that the speaker presents explicitly estab- lishes the relationship between the legendary figure of Lady Go ... portrait of female creativity , and the manner in which it reacts to , revises , inverts , and subverts the ...
... portrait that the speaker presents explicitly estab- lishes the relationship between the legendary figure of Lady Go ... portrait of female creativity , and the manner in which it reacts to , revises , inverts , and subverts the ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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