Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 90
... position . As Dale M. Bauer suggests in her Feminist Dialogics : A Theory of Failed Community where there is a tension between the marginal and the central , so also one will find an equal tension between the eccentric ( read here , the ...
... position . As Dale M. Bauer suggests in her Feminist Dialogics : A Theory of Failed Community where there is a tension between the marginal and the central , so also one will find an equal tension between the eccentric ( read here , the ...
Seite 98
... position of eccentricity , one that occupies the periphery in rela- tion to a contextually determined center ” ( Pérez Firmat , xiv ) . But in affirming this position of liminality , the poet also affirms tradition , for the two are ...
... position of eccentricity , one that occupies the periphery in rela- tion to a contextually determined center ” ( Pérez Firmat , xiv ) . But in affirming this position of liminality , the poet also affirms tradition , for the two are ...
Seite 194
... position , the poet effectively establishes the mirror- image text - in Catalan and Spanish - as the author - itative one , but also undermines that very authority with the phrase " por ahora " ( " for now " ) . The image of / in the ...
... position , the poet effectively establishes the mirror- image text - in Catalan and Spanish - as the author - itative one , but also undermines that very authority with the phrase " por ahora " ( " for now " ) . The image of / in the ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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