Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 132
... present yet totally enigmatic mask . In the ( dis ) guise of the known , the Self / Other ( Narcissus , Alice , the ... presents self - portraits com- memorate his thirtieth birthday and fortieth year respectively , and thus are also ...
... present yet totally enigmatic mask . In the ( dis ) guise of the known , the Self / Other ( Narcissus , Alice , the ... presents self - portraits com- memorate his thirtieth birthday and fortieth year respectively , and thus are also ...
Seite 136
... present / absent from the Self's grasp and gaze , forever inside / outside the frame of artistic reference and representation . The crafty and artful ( dis ) guise of the Other reflects the image and visage of the Self , who ( un ) ...
... present / absent from the Self's grasp and gaze , forever inside / outside the frame of artistic reference and representation . The crafty and artful ( dis ) guise of the Other reflects the image and visage of the Self , who ( un ) ...
Seite 158
... present , legendary and historical time , she and I , interior and exterior , domestic and official , noble and popular , private and public , covered and uncovered , sexual and textual . The portrait that the speaker presents ...
... present , legendary and historical time , she and I , interior and exterior , domestic and official , noble and popular , private and public , covered and uncovered , sexual and textual . The portrait that the speaker presents ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing