Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 118
... reference of the verbal text . The poem and painting rupture each other's frames and ( dis ) appear at the critical artistic vanishing point.5 The allusion to Espronceda es- tablishes a " frame of reference , " but problematizes this ...
... reference of the verbal text . The poem and painting rupture each other's frames and ( dis ) appear at the critical artistic vanishing point.5 The allusion to Espronceda es- tablishes a " frame of reference , " but problematizes this ...
Seite 120
... reference to seemingly realistic details , in that very act of reference , the speaker undercuts and brings into question art's ability to refer to and represent the " objective " world . The poem ends with yet another type of ...
... reference to seemingly realistic details , in that very act of reference , the speaker undercuts and brings into question art's ability to refer to and represent the " objective " world . The poem ends with yet another type of ...
Seite 121
... reference . And lastly , the speaker's satisfaction and nostalgia may be inspired by his sense of this " mundo mejor , " or only his longing tempered by an alcohol induced vision . His comment that " no sólo está en el vino " may well ...
... reference . And lastly , the speaker's satisfaction and nostalgia may be inspired by his sense of this " mundo mejor , " or only his longing tempered by an alcohol induced vision . His comment that " no sólo está en el vino " may well ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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