Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
Im Buch
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Seite 14
... relationship of the visual to the verbal arts . Many critics have noted the presence , through its evocation , of visual art in the verbal context , beginning with the earliest examples hearkening from antiquity , and including the oft ...
... relationship of the visual to the verbal arts . Many critics have noted the presence , through its evocation , of visual art in the verbal context , beginning with the earliest examples hearkening from antiquity , and including the oft ...
Seite 31
... relationships . In terms of Bakhtin , one could speak of the relationship between Self and Other , be- tween text and society . In the jagged and visible needlework where there is an attempt on the part of each poet to represent and ...
... relationships . In terms of Bakhtin , one could speak of the relationship between Self and Other , be- tween text and society . In the jagged and visible needlework where there is an attempt on the part of each poet to represent and ...
Seite 176
... relationship between them , that photography was the forerunner of film . Furthermore , he detected that these technologically based methods of imagistic representation in and of themselves pressure the concepts of authorship and power ...
... relationship between them , that photography was the forerunner of film . Furthermore , he detected that these technologically based methods of imagistic representation in and of themselves pressure the concepts of authorship and power ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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