Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 100
... scene's outward structure based on the male gaze . A woman adorns herself in order to make herself more attractive to men . As Bauer suggests , the source of the gaze is generally masculine , whereby a male viewer observes the mute ...
... scene's outward structure based on the male gaze . A woman adorns herself in order to make herself more attractive to men . As Bauer suggests , the source of the gaze is generally masculine , whereby a male viewer observes the mute ...
Seite 161
... scene which conjures up the image depicted on a tapestry . Thus , the speaker is thrice framed : once within the pastoral scene of woods and water , secondly within the tapestry's evocation of that pastoral vision , and third within the ...
... scene which conjures up the image depicted on a tapestry . Thus , the speaker is thrice framed : once within the pastoral scene of woods and water , secondly within the tapestry's evocation of that pastoral vision , and third within the ...
Seite 201
... scene of Ramón del Valle - Inclán's Cuernos de don Friolera ( Horns of Don Friolera ) , where Don Estrafalario ... scène of a supposedly neutral and objective gaze - but also the incoherent logic that the imperialism of reason imposes on ...
... scene of Ramón del Valle - Inclán's Cuernos de don Friolera ( Horns of Don Friolera ) , where Don Estrafalario ... scène of a supposedly neutral and objective gaze - but also the incoherent logic that the imperialism of reason imposes on ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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