Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 15
... seeks to capture it in that temporality ” ( Krieger 1967 , 107 ) . The literary art piece uses the spatial art ... seek to appropriate sculpture's plasticity as well . There is , after all , then , a sense in which literature , as a time ...
... seeks to capture it in that temporality ” ( Krieger 1967 , 107 ) . The literary art piece uses the spatial art ... seek to appropriate sculpture's plasticity as well . There is , after all , then , a sense in which literature , as a time ...
Seite 59
... seeks to capture it in that temporality . The spatial work freezes the tempo- ral work even as the latter seeks to free it from space " ( Krieger 1967 , 107 ) . But as always artful representation is never as simple as it seems at first ...
... seeks to capture it in that temporality . The spatial work freezes the tempo- ral work even as the latter seeks to free it from space " ( Krieger 1967 , 107 ) . But as always artful representation is never as simple as it seems at first ...
Seite 95
... seeking to grasp within its boundaries Reality or a reality , Truth or just simply a truth , and Beauty , or , — more realistically — an individual perspective on beauty . Also , by choosing to represent this particular image of the ...
... seeking to grasp within its boundaries Reality or a reality , Truth or just simply a truth , and Beauty , or , — more realistically — an individual perspective on beauty . Also , by choosing to represent this particular image of the ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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