Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 49
... sense , this signature is a forgery , since the poetic speaker makes reference to the visual artist's authorship at the base of his work of art : " En este punto lo pintó el Tiziano " ( " At this point Titian painted it [ him ] ...
... sense , this signature is a forgery , since the poetic speaker makes reference to the visual artist's authorship at the base of his work of art : " En este punto lo pintó el Tiziano " ( " At this point Titian painted it [ him ] ...
Seite 68
... sense upon the work of his predecessors , the reader must continually frame his work so as to see it as new , while at the same time view it as dependent upon the artistic traditions from which it resolutely sets itself free . Therefore ...
... sense upon the work of his predecessors , the reader must continually frame his work so as to see it as new , while at the same time view it as dependent upon the artistic traditions from which it resolutely sets itself free . Therefore ...
Seite 202
... sense from a given text ” ( Ibid . , xxiv ) ( Talens's italics ) . In his first chapter , " Discursive Strategies and Production of Sense " Talens sets about defining the role of the reader or re- ceiver of Buñuel's nontraditional ...
... sense from a given text ” ( Ibid . , xxiv ) ( Talens's italics ) . In his first chapter , " Discursive Strategies and Production of Sense " Talens sets about defining the role of the reader or re- ceiver of Buñuel's nontraditional ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing