Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 34
... ( Soul ) , which appeared in 1902. ( See color plates . ) This poem is to be found within the grouping aptly entitled " Museo " ( " Museum " ) : * * Author's note : So that this book will be accessible to readers in sundry fields of ...
... ( Soul ) , which appeared in 1902. ( See color plates . ) This poem is to be found within the grouping aptly entitled " Museo " ( " Museum " ) : * * Author's note : So that this book will be accessible to readers in sundry fields of ...
Seite 46
... souls her smile " ) . It is significant to note that this reference to " nosotros " appears in exactly the middle of the sonnet , in lines 7 to 8. In this fashion the receivers are encouraged to be both inside ( literally and ...
... souls her smile " ) . It is significant to note that this reference to " nosotros " appears in exactly the middle of the sonnet , in lines 7 to 8. In this fashion the receivers are encouraged to be both inside ( literally and ...
Seite 100
... soul as a wrinkled gown / and goes about raising it from my feet to my shoulders : / the woman that I will become . ) The play of images puts into dialectic oscillation those that are feminine versus those that are masculine . The ...
... soul as a wrinkled gown / and goes about raising it from my feet to my shoulders : / the woman that I will become . ) The play of images puts into dialectic oscillation those that are feminine versus those that are masculine . The ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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