Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 90
... speak " out , " to speak for itself , from a position of Otherness . And as we saw in chapter 1 , this ability to speak out , is indeed one of the definitions of ekphrasis in general , to give voice to an other- wise mute art object ...
... speak " out , " to speak for itself , from a position of Otherness . And as we saw in chapter 1 , this ability to speak out , is indeed one of the definitions of ekphrasis in general , to give voice to an other- wise mute art object ...
Seite 114
... speak for itself " within the problem- atically ruptured framework of the poetic text . This art object's ability to speak for itself is dependent upon the intertextual , stressed status of its problematic presence in the verbal text as ...
... speak for itself " within the problem- atically ruptured framework of the poetic text . This art object's ability to speak for itself is dependent upon the intertextual , stressed status of its problematic presence in the verbal text as ...
Seite 217
... speak for itself " within the ruptured bounds of the poetic text . This art object , in speaking for itself , brings to the forefront the power and impotence of language or any other sign system to maintain its discursive integrity ...
... speak for itself " within the ruptured bounds of the poetic text . This art object , in speaking for itself , brings to the forefront the power and impotence of language or any other sign system to maintain its discursive integrity ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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