Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 37
... spirit ; not as they are in the museum , keeping in mind to commit certain inaccuracies , which are totally neces- sary to my intention " [ Machado's italics ] ) ( Carballo Picazo 1967 , 108 ) . My reason in mentioning Machado's own ...
... spirit ; not as they are in the museum , keeping in mind to commit certain inaccuracies , which are totally neces- sary to my intention " [ Machado's italics ] ) ( Carballo Picazo 1967 , 108 ) . My reason in mentioning Machado's own ...
Seite 38
... spirit of art of the times ; the sensation produced in us " ) ( Carballo Picazo , 108 ) . This citation is especially significant because in it the poet does not speak of the success or failure in representing objective reality , but ...
... spirit of art of the times ; the sensation produced in us " ) ( Carballo Picazo , 108 ) . This citation is especially significant because in it the poet does not speak of the success or failure in representing objective reality , but ...
Seite 127
... spirit . The artist can and cannot control it , yet wishes to represent and control the alien Other in order to become one with the alien object of desire : otherness is forever exterior to the Self : the Self always must fail to ...
... spirit . The artist can and cannot control it , yet wishes to represent and control the alien Other in order to become one with the alien object of desire : otherness is forever exterior to the Self : the Self always must fail to ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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