Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 78
... suggests that Picasso does both with his artistic achievements : he hears , feels , and creates the visual music and harmony that humanity longs for . The will to sustain the artistic tradition is a sign of that very humanity and a ...
... suggests that Picasso does both with his artistic achievements : he hears , feels , and creates the visual music and harmony that humanity longs for . The will to sustain the artistic tradition is a sign of that very humanity and a ...
Seite 90
... suggests in her Feminist Dialogics : A Theory of Failed Community where there is a tension between the marginal and the central , so also one will find an equal tension between the eccentric ( read here , the feminine or gynocentric ) ...
... suggests in her Feminist Dialogics : A Theory of Failed Community where there is a tension between the marginal and the central , so also one will find an equal tension between the eccentric ( read here , the feminine or gynocentric ) ...
Seite 96
... suggests to the reader the simultaneous , dialectical maintenance and rupture of limits , whether those concerning discourse , or those having to do with the tensive voices of gender . The text reads : La primera columna fue de madera ...
... suggests to the reader the simultaneous , dialectical maintenance and rupture of limits , whether those concerning discourse , or those having to do with the tensive voices of gender . The text reads : La primera columna fue de madera ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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