Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
Im Buch
Ergebnisse 1-3 von 11
Seite 38
... true , but only to a certain point . It is then left to us , his readers , to continue the logarithm ( or is it logo - rhythm ? ) of our own signi- fying calculations and calculating signification . Norman Bryson , in his Vision and ...
... true , but only to a certain point . It is then left to us , his readers , to continue the logarithm ( or is it logo - rhythm ? ) of our own signi- fying calculations and calculating signification . Norman Bryson , in his Vision and ...
Seite 40
... true representation because it reveals ? ” ( Ibid . ) Implicitly then , that which Machado's empty and ( un ) common glove ( dis ) covers is art's questionable power , its failed success and successful failure . It faithfully rep ...
... true representation because it reveals ? ” ( Ibid . ) Implicitly then , that which Machado's empty and ( un ) common glove ( dis ) covers is art's questionable power , its failed success and successful failure . It faithfully rep ...
Seite 66
... true message and the true encapsulation of Picasso's sign . The simultaneous surrender and sovereignty signaled by Robert Scholes resides for Alberti in the ( im ) possibility of bridging the gap between poetry and painting , between ...
... true message and the true encapsulation of Picasso's sign . The simultaneous surrender and sovereignty signaled by Robert Scholes resides for Alberti in the ( im ) possibility of bridging the gap between poetry and painting , between ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing