Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 14
... various ways and from various perspectives , and has been utilized from the classical period to the present day . A conventional definition of ekphrasis is to be found in the Oxford English Dictionary , which states that it derives from ...
... various ways and from various perspectives , and has been utilized from the classical period to the present day . A conventional definition of ekphrasis is to be found in the Oxford English Dictionary , which states that it derives from ...
Seite 70
... various artistic styles and favored hues , and on the other , relates the " story " of a woman's life . The visual leitmotivs of color ( referring to Picasso's own blue and rose periods ) appear within several contexts , woven together ...
... various artistic styles and favored hues , and on the other , relates the " story " of a woman's life . The visual leitmotivs of color ( referring to Picasso's own blue and rose periods ) appear within several contexts , woven together ...
Seite 114
... various genres , literary as well as visual . As we saw in chapter 1 , Mary Ann Caws refers to these interartistic " translations " as " stressed readings . " The seductive play of the various definitions of stress inserts into the ...
... various genres , literary as well as visual . As we saw in chapter 1 , Mary Ann Caws refers to these interartistic " translations " as " stressed readings . " The seductive play of the various definitions of stress inserts into the ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
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